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Salt & Paper - Guy Lougashi
Colonies, Memory, and the Quiet Labor of Minerals Salt entered my life long before it entered my work. I grew up near the Mediterranean Sea, surrounded by light, movement, and a sense of openness. And yet, the place that shaped my way of seeing the world was elsewhere — at the lowest point on Earth. The Dead Sea. A landscape that does not behave like a landscape. A place where scale collapses, where time thickens, where the body becomes acutely aware of itself. The Dead Sea a
6 min read


Needle and paper - Roberta Pucci
Tic-tic-tic-tic-tic-tic… A needle taps over and over on a sheet of paper, each stroke piercing it. The action focuses on a specific area,...
2 min read


Acrylic Paint - The Spirit of Matter - Orbach and Galkin, 1997
Neora Zigler, art teacher Medium Characteristics Acrylic paint is a new painting medium that became commercial in the 1950s. It comes in...
5 min read


Pastels - The Spirit of Matter, Orbach and Galkin, 1997
11 years 11-year-old child Medium Characteristics Powdery pastels are made of color pigments. The chalks come in various degrees of...
4 min read


A mound – Adi Hilbuch-Tamir
When she passed away, we lost ourselves in her art room. Piles of drawings and paintings heaped on top of each other Of all sizes and...
2 min read


The Note - Ron Geva
She stormed into the room, the familiar cloud of scent I’d come to know so well over the past year following in her footsteps. A sharp...
2 min read
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